Poetry and Figuartive Essay

Since this weeks appraisals I get under ones skin selected the following three rimes My grand overprotects love letters by stag Crane, The passageway non taken Robert Frost, as well as Richard Cory by Edward Arlington Robinson. My Grandmothers Love Letters By Hart Crane (1899-1932) There ar no stars tonight nevertheless those of memory. all(a) the same how much room for memory there is In the loose waistcloth of soft rainfall. There is even room enough For the letters of my mothers mother, Elizabeth, That aim been passed so long Into the corner of the chapiter That they are brown and soft, And liable to melt as snow.Over the greatness of such(prenominal) space Steps must be gentle. It is all hung by an ultraviolet white hair. It trembles as birch limbs webbing the air. I choose myself Are your fingers long enough to play Old keys that are solely echoes Is the silence fuddled enough To carry back the music to its character And back to you again As though to her? Yet I w ould give way my grandmother by the hand Through much of what she would not interpret And so I stumble. And the rain continues on the roof With such a sound of gently pitying laughter. (Thiel, 2005, pp. 295-296) The im progressry in this poem is truly opulent and gaudy.At the beginning I see a abstrusity that is beginning to be lite up by affectionate reminiscences, standardized a candle getting livelier and livelier. I can perceive rain dwindling on the roof at the same time. The granddaughter has found nearly letters, perchance in an attic. The letters are ancient and brown with oldness. And with age paper develops inelastic and could fall separately without much assistance. As she starts to clear the letters she derives to the comprehension that she must be very cautious. She is interrogative whether or not she should read it.The rigorous ofthe rain falling on the roof sounds to her like her grandmothers amusement. Unfortunately I possibly will only go back a couple belo ngings that rhyme. And I have faith in they are of no prominence. I think the line is the silence strong enough is a hyperbole it is an embellishment put demonstrates the opinion that placidity can be sturdy just not in a corporeal method. I adored this poem because reading it made me mull over of my own grandmother who was a saccharine and compassionate woman.The Road non Taken By Robert Frost (1874 1963) Two roadstead diverged in a yellow wood, And sorry I could not travel bothAnd be one traveler, long I stood And looked dash off one as furthest as I could To where it bent in the undergrowth Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted pallThough as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no touchstone had trodden black. Oh, I keep the first for another day Yet crafty how way leads onto way, I doubted if I should ever come back. I shall be te lling this with a sigh Somewhere ages and ages hence Two roads diverged in a wood, and I I took the one slight travelled by, And that has made all the difference. (Thiel, 2005, pp. 297 298) As I underway reading this poem, I visualized a man upended at a private parts in the street. The scenery is a forest, in the fall. The man stances for a grand time observing down both passs. He knew he could not tourism both paths as a single person, and he would have to indicate which on to take. He unambiguous to take the one less voyaged. As soon as he ongoing down the path he indicated he knew he would not be back to undertake the other road. Essentially he had made his verdict and had to stick with it.But by enchanting the one less toured it made all the variance. I ponder this is a fable on life, we can revenue the road that utmost revenue. The informal road and go somewhere. Nevertheless by absorbing the tougher road or the road less voyaged it will be moreover satisfying. Line o ne, three, and four had quatrains line one had kindling at the finishing and line three had erected at the end where line four had could at the end. This is an instance of a virile rhyme. Lines six, eight, and nine had words on the proof of the sentence that rhymed fair, wear, and there.Lines 11, 13, and 14 had words at the end that rhymed lay, day, and way. I ponder the edifice of this poem is from a story viewpoint. Richard Cory Edwin Arlington Robinson (1869 1935) Whenever Richard Cory went down town, We people on the pavement looked at him He was a world from sole to crown, Clean favored, and imperially slim. And he always quietly arrayed, And he was always human when he talked But still he fluttered pulses when he said, good-morning and he glittered when he walked. And he was rich yes, richer than a king And admirably schooled in every graceIn fine, we thought that he was everything To hold us wish that we were in his place. So on we worked, and waited for the light, An d went without the meat, and cursed the kail And Richard Cory, one calm summer night, Went home and put a slug through his head. This poem invokes up descriptions of a opulent, stylish, attractive man. Approaching into town, and all the towns people, or masses just glare at him. All the towns individuals resented him, and take to be him, owed to his edification, refinement, and prosperity. He sported extravagant attires I depictiona flamboyant sequenced suite like Elvis sported.Then one night he went home and devoted suicide. I consider that this poem is a metaphor that currency, affluence, trinkets, and good appearances cant buy you contentment. Every further destination word pretty much rhymes. And I ponder it is inscribed in a stanza. I found that this poem had a vibrant solvent for the reader. Be contented where you are, the lawn is not continuously greener on the other side. References Thiel, D. (2005). Crossroads. upstart York, NY Longman. Plunkett, A. (n. d. ). My Gran dmothers Love Letters. Poetry Foundation.Retrieved July 1, 2014, from http//www. poetryfoundation. org/poem/177645 Plunkett, A. (n. d. ). Richard Cory. Poetry Foundation. Retrieved July 1, 2014, from http//www. poetryfoundation. org/poem/174248 . (n. d. ). . Retrieved July 1, 2014, from http//www. juicerreview. org/ . (n. d. ). Poets. org. Retrieved July 1, 2014, from http//www. poets. org/ (n. d. ). Poets. org. Retrieved July 1, 2014, from http//www. poets. org/poetsorg/poem/road-not-taken http//www. impalapublications. com/blog/index. php? /archives/523-Richard-Cory,-b y-James-OFee. html. (n. d. ).